Music Materials 4 continues study of the materials of music through the study of harmony and form of the 20th and 21st centuries, through reading skills, analysis of works in the literature, and aural skills. Students will advance their understanding of the correlation between written notation and aural awareness, through exercises in sight-reading, dictation and identification of musical elements.
|Unit name||Music Materials 4|
|Faculty/School||College of Arts and Law
Tasmanian College of the Arts
Dr Maria Grenfell
Dr C. Philpott, Dr M. Grenfell
|Available as student elective?||Yes|
|Location||Study period||Attendance options||Available to|
- International students
- Domestic students
Units are offered as On-campus where the majority of teaching will occur at the campus identified. Units offered Off-campus generally have no requirement for attendance at a physical university campus unless the unit has practical or fieldwork components*: the campus indicated for an Off-Campus unit is the one at which teaching is administered from.
*Please read the Unit Introduction in the Course and Unit Handbook for attendance requirements for units offered in Off-campus mode.
* The Final WW Date is the final date from which you can withdraw from the unit without academic penalty, however you will still incur a financial liability (see withdrawal dates explained for more information).
Unit census dates currently displaying for 2017 are indicative and subject to change. Finalised census dates for 2017 will be available from the 1st October 2016.
|Study Period||Start date||Census date||WW date||End date|
|Band||CSP Student Contribution||Full Fee Paying (domestic)||Field of Education|
|1||2017: $793.00||2017: $2,207.00||100101|
Fees for next year will be published in October. The fees above only apply for the year shown.
Please note: international students should refer to this page to get an indicative course cost.
2 x 90 min weekly theory/aural class
Formative and summative assessment in music theory (50%) and aural skills (50%) through a minimum of 4 in-class tasks, 2 practical aural assessments and a written examination.
|Timetable||View the lecture timetable | View the full unit timetable|
Benward and Saker, Music in Theory and Practice, vol. 2. McGraw-Hill.
Robert Starer, Rhythmic Training. Hal Leonard.
Co-op Bookshop links
The University reserves the right to amend or remove courses and unit availabilities, as appropriate.