Courses & Units

Audio For The Real World FCJ219

Introduction

Audio For The Real World further develops skills gained in Recording and Sound Reinforcement to produce original Audio Design components and final product in a simulated professional environment. Challenging recording scenarios will be presented, undertaken and peer reviewed. The completed projects will be evaluated by staff.

Summary

Unit name Audio For The Real World
Unit code FCJ219
Credit points 12.5
Faculty/School College of Arts, Law and Education
School of Creative Arts
Discipline Music
Coordinator

Mr Stewart Long

Teaching staff

Mr Stewart Long

Level Intermediate
Available as student elective? Yes
Breadth Unit? No

Availability

This unit is currently unavailable.

Note

Units are offered in attending mode unless otherwise indicated (that is attendance is required at the campus identified). A unit identified as offered by distance, that is there is no requirement for attendance, is identified with a nominal enrolment campus. A unit offered to both attending students and by distance from the same campus is identified as having both modes of study.

Special approval is required for enrolment into TNE Program units.

TNE Program units special approval requirements.

* The Final WW Date is the final date from which you can withdraw from the unit without academic penalty, however you will still incur a financial liability (see withdrawal dates explained for more information).

Unit census dates currently displaying for 2018 are indicative and subject to change. Finalised census dates for 2018 will be available from the 1st October 2017.

About Census Dates

Fees

Domestic

Band Field of Education
1 100101

Fees for next year will be published in October. The fees above only apply for the year shown.

Please note: international students should refer to this page to get an indicative course cost.

Requisites

Prerequisites

FCJ217

Teaching

Teaching Pattern

1 x 120 and 1 x 60 minute lecture/tutorials weekly for 13 weeks

Assessment

2 x written assignments accompanied by an aural presentation for each.

Recording folio to contain a collective (group) recording activity and subsequent to this activity a 1 x mixing assignment and 1 x mastering assignment per each individual student

TimetableView the lecture timetable | View the full unit timetable

Flexible Study Options

Web Supported

Textbooks

Required

 Microphones, 5th edition. John Eargle. Sams, 2000

Recommended

Zen & the Art of Mixing, Eric Sarafin, Hal Leonard, 2010.

The University reserves the right to amend or remove courses and unit availabilities, as appropriate.