Music Materials 4 continues study of the materials of music through the study of harmony and form of the 20th and 21st centuries, through reading skills, analysis of works in the literature, and aural skills. Students will advance their understanding of the correlation between written notation and aural awareness, through exercises in sight-reading, dictation and identification of musical elements.
|Unit name||Music Materials 4|
|Faculty/School||College of Arts, Law and Education
School of Creative Arts
Dr C Philpott
Dr C. Philpott, Dr M. Grenfell
|Available as student elective?||Yes|
|Location||Study period||Attendance options||Available to|
- International students
- Domestic students
Units are offered in attending mode unless otherwise indicated (that is attendance is required at the campus identified). A unit identified as offered by distance, that is there is no requirement for attendance, is identified with a nominal enrolment campus. A unit offered to both attending students and by distance from the same campus is identified as having both modes of study.
Special approval is required for enrolment into TNE Program units.
|Study Period||Start date||Census date||WW date||End date|
* The Final WW Date is the final date from which you can withdraw from the unit without academic penalty, however you will still incur a financial liability (see withdrawal dates explained for more information).
Unit census dates currently displaying for 2018 are indicative and subject to change. Finalised census dates for 2018 will be available from the 1st October 2017.
|Band||CSP Student Contribution||Full Fee Paying (domestic)||Field of Education|
|1||2017: $793.00||2017: $2,207.00||100101|
Fees for next year will be published in October. The fees above only apply for the year shown.
Please note: international students should refer to this page to get an indicative course cost.
You cannot enrol in this unit as well as the following:
2 x 90 min weekly theory/aural class
Formative and summative assessment in music theory (50%) and aural skills (50%) through a minimum of 4 in-class tasks, 2 practical aural assessments and a written examination.
|Timetable||View the lecture timetable | View the full unit timetable|
Flexible Study Options
Benward and Saker, Music in Theory and Practice, vol. 2. McGraw-Hill.
Robert Starer, Rhythmic Training. Hal Leonard.
Co-op Bookshop links
The University reserves the right to amend or remove courses and unit availabilities, as appropriate.