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DRAMA
The
following bibliography documents published plays; published 'drama
in verse form'; and plays performed but not yet published.
Performances are listed under the play's title, and published plays
are listed under the author's name, according to the MLA citation
system.
Adebayo, Mojisola. "Moj of the Antarctic: An African Odyssey." Hidden Gems: Six New Plays by Black British Playwrights. Ed. Deirdre Osborne. London: Oberon Books, 2008.
Andrews, J.W. "Antarctica:
A Narrative of the Bubble Nothing." Triptych for the Atomic Age.
Boston: Branden Press, 1970.
Australis; or, The City of Zero.
By J.C. Williamson. Music by Bernard Espinasse. Perf. Her Majesty's
Theatre, Sydney, 1900. Sydney: John Andrew & Co. 1900.
Brenton, Howard. "Scott Of The Antarctic: Or, What God Didn't See." Plays for Public Places: Gum & Goo, Wesley, Scott of the Antarctic. London: Eyre Methuen, 1972.
Endurance. By Louise Smith.
Dir. Emmanuelle Chaulet. Perf. Andy's Summer Playhouse, Wilton Center, New Hampshire. 2–6
Aug. 2000. [This play was
written for, and performed by, actors ranging from 9 to 15 years
of age.]
A Father for My Son.
By Jenny Coverack and Robert Edwards. Perf. Jenny Coverack at Royal
Geographical Society headquarters at 1 Kensington Gore, London. 13
June 2001. [Adapted from Louisa
Young's biography of Scott, and Scott's autobiography and diaries,
this production premiered
in Cotohele, Cornall in October 2000 and
was performed in various locations around Britain in 2001, 2002 and
2003. It was also staged on the M/V Yubov Orlova during a
trip to South Georgia and the Antarctic Peninsula in Jauary 2003.
The June 13 performance was staged in support of the Royal Geographical
Society's New Initiatives Programme.]
Great Scott! By David Burke. Composed by David Jensen. Perf. Great Hall, Parliament
House, Canberra, 27 Oct. 1997; King's College School, Cambridge, 17
Nov. 2001.
Griffiths, Trevor.
Judgement Over the Dead: The Screenplay of The Last Place
on Earth. London: Verso, 1986. [This
is the screenplay of The Last Place on Earth, a dramatisation
of the race between Robert Scott and Roald Amundsen to be first to
the South Pole. Dir. Ferdinand
Fairfax. Perf. Stephen Moore, Sverre Anker Ousdal, Martin Shaw, Max
Von Sydow and Susan Wooldridge. 7 episodes. Central Television and
WBGH, Boston, 1985.]
Hoar, Stuart.
Scott of the Antarctic. Wellington; Playmarket, 1987. [This
short radio play has also been performed on stage.]
Ice Island:
The Wait for Shackleton. By Marjorie Duffield. Dir. Lori Steinberg.
Perf. Melting Pot Theatre New York City, 14 Nov.–19 Dec. 1999.
Karge, Manfred.
Conquest of the South Pole. Trans. Tinch Minter and Anthony
Vivis. London: Methuen, 1988.
Kathleen's Antarctic. Written/dir.
Richard Huber. Research/concept creator Bronwyn Judge. Perf. Fortune
Theatre, Dunedin. 8–16 March 2002.
Kushner, Tony. Angels in America:
A Gay Fantasia on National Themes. Part One: Millennium Approaches.
New York: Theatre Communciations Group, 1993.
Meet the Real Ernest Shackleton:
A Comedy About Antarctica. Written and directed by Michael
Christian; choreographed by Ron Schwinn, music by Terry Radigan.
Perf. Sande Shurin Theatre, New York City, 9–26 Sept. 2004.
Moore, Jason Kendall. "The Frozen Continent: An Antarctic Play." Polar Record 44.3 (2008): 278-80.
Nabakov, Vladimir. "The Pole (Polyus)". The Man from
the USSR and Other Plays. 1924. Trans. Dmitri Nabokov. San
Diego, New York, London: Harcourt Brace Jovanovich, 1984: 267–83. [Also pubished in The
Wide White Page: Writers Imagine Antarctica. Ed. Bill Manhire.
Wellington: Victoria UP, 2004: 156–166.]
Shackleton Out-Shacked. Perf. Concert Chamber, Town Hall, Wellington, New Zealand. 17 July 1909. [This work, "A Classic Sketch in Three Convulsions", was Act II of a concert in aid of the Unemployed Relief Fund.]
South Polar Expedition.
Perf. Royal Victoria Theatre, Hobart, Australia. 3 May 1841.
[This
theatrical extravaganza was reviewed in the Hobart Town Advertiser,
7 May 1841. Accounts of the play can be found in:
Savour,
Ann. "Hobart and the Polar Regions, 1830–1930." Tasmanian
Insights; Essays in Honour of Geoffrey Thomas Stilwell. Hobart:
State Library of Tasmania, 1992. 175–191: (177-178).
Fleming,
Fergus. Barrow's Boys. London: Granta, 1998: 350–351;
and
Woodward,
F. Portrait of Jane: A Life of Lady Franklin. London: Hodder
and Stoughton, 195: 230.]
Stewart, Douglas. "The
Fire on the Snow." The Fire on the Snow and The Golden Lover: Two
Plays for Radio. Sydney: Angus & Robertson, 1944.
[First
performed by the Australian Broadcasting Commission on 6 June 1941.
Prod. Frank D. Clewlow.]
Sur. Written and directed
by Ronald Weihs, based on the short story by Ursula K. Le Guin.
Perf. Artword Theatre, Toronto, 27 Nov.–14 Dec. 2003.
Tally, Ted. Terra Nova: A Play.
New York: Nelson Doubleday, 1981.
Ticket of Leave. Adapted version
of a Victorian farce entitled A Ticket-of-Leave, by Watts
Phillips [Clyde, Ohio: Ames & Holgate, c. 1862]. Perf. Gilbert
Scott, Frank Wild, and Horace Buckridge. The Royal Terror Theatre,
Ross Island, Antarctica. 25 June 1902. [Believed
to be the first play performed in Antarctica, "Ticket of Leave"
was presented on a makeshift stage in Discovery Hut (christened
"The Royal Terror Theatre" for the occasion), Ross Island, on 25
June 1902. The cast included Horace Buckridge as Mrs Quiver, Frank
Wild as Mr Quiver, and Gilbert Scott as Mary Ann the housemaid.
The play was hailed as a "screaming comedy" and considered a "great
success" by its enthusiastic (and captive) audience. Pages from
the script were found in rubbish around Discovery Hut
during its restoration in 1963-64. The programe for the evening
is held in the archives of Canterbury Museum in Christchurch, New
Zealand.]
Tom Crean -- Antarctic Explorer. By Aidan Dooley. Perf. Aidan Dooley at New York International Fringe Festival, August 2003.
Young, David. Inexpressible Island. Winnipeg: J. Gordon Shillingford Publishing, 2000. [First
performed in Toronto, Canada, in 1997. The play was performed in
the UK in 2001 under the title "Antarctica". First published
by Scirocco Drama in 1998.]

Bibliography compiled as part of project undertaken by Dr Elizabeth Leane, School of English, Journalism and European Languages, University of Tasmania.
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