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Edited Collections:
2009, Stuck in the Middle: The Mainstream and Its Discontents, Selected Proceedings of the 2008 IASPM-ANZ Conference, IASPM-ANZ (co-edited with Catherine Strong).
Journal Articles:
forthcoming, 'In Defense of Textual Analysis: Resisting Methodological Hegemony in Media and Cultural Studies', Critical Studies in Media Communication.2010, '"Generic Misery Music"? Emo and the Problem of of Contemporary Youth Culture', Media International Australia, no.136, pp. 60-70
2009, ‘“Just Emotional People”? Emo Culture and the Anxieties of Disclosure, M/C Journal, vol. 12, no. 5 < journal.media-culture.org.au>
2006, ‘Haunted by the Spirit of ’77: Punk Studies and the Persistence of Politics’, Continuum: Journal of Cultural and Media Studies, vol. 20, no. 3, pp. 383-394.
2006, ‘“None So Vile”? Towards an Ethics of Death Metal’, Southern Review vol. 38, no. 2, pp. 74-85.
Books
2012 (forthcoming), Death Metal at the Limits of Criticism, Lexington Books
Book Chapters:
2012 (forthcoming), 'Extreme Music for Extreme People? Norwegian Black Metal and Transcendent Violence', in Heavy Metal: Controversies and Countercultures, eds Titus Hjelm, Keith Kahn-Harris and Mark Le Vine, Equinox. 2008, ‘Metal “Downunderground”: Mapping the Terrain of the “Great Southern Wasteland”’, in Sounds of Then, Sounds of Now: Popular Music in Australia, eds Shane Homan & Tony Mitchell, ACYS Publishing, pp. 215-230.
Published Conference Papers:
2008, ‘A “Nihilistic Dreamboat to Negation”? The Critical Marginalisation of Heavy/Extreme Metal’, IASPM-ANZ 2007 Conference Proceedings, ed. Dan Bendrups, IASPM-ANZ, pp. 131-136.
Conference Papers:
2011, 'Hamburgers of Devastation: Heavy Metal Cooking and the Masculine Domestic', Routes/Roots/Routines, IASPM-ANZ, Wellington. 2010, 'The Pleasures of Popular Music: Methological Considerations in the Understanding of Entertainment', Media, Democracy and Change, ANZCA, Canberra.
2009, ‘“Generic Misery Music”: Moral Panic and the “Value” of Emo’, What’s it Worth? Value and Popular Music, IASPM-ANZ, Auckland.
2009, ‘“Bodies Prepared for Slaughter”: Death Metal at the Limits of Communication’, Communication, Creativity and Global Citizenship, ANZCA, Brisbane.
2008,‘Scream Bloody Gore: Carcass and the ‘Obscene’ Pleasures of Reek of Putrefaction and Symphonies of Sickness’, Stuck in the Middle: The Mainstream and its Discontents, IASPM-ANZ, Brisbane.
2007, ‘A “Nihilistic Dreamboat to Negation”? The Critical Marginalisation of Heavy/Extreme Metal’, Music on the Edge, IASPM-ANZ, Dunedin, NZ.
2005, ‘“None So Vile”’? Towards an Ethics of Death Metal’, Culture Fix, CSAA, Sydney.
2004, ‘“Septic Vomit of Chyme”: Death Metal Vocality and the Disavowal of Identification’, Critical Animals: Postgraduates Working in the New Medias, Newcastle.
2004,‘A Gateway to Annihilation? Death Metal and the Reorientation of Listening’, Everyday Transformations: The Twenty-First Century Quotidian, CSAA, Fremantle.
2003, ‘The Road to Hel: Extreme Metal and the Question of Gender’, Sonic Synergies, Creative Cultures, IASPM-ANZ, Adelaide.
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