Profiles

David Carter

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Dave Carter

David Carter

Co-ordinator, Music Technology; Lecturer in Music Technology

Room 405, Conservatorium of Music, Hobart CBD Campuses

6226 7359 (phone)

dave.carter@utas.edu.au

View more on Dr Dave Carter in WARP

Research Fields

  • Musicology and Ethnomusicology (190409)
  • Performance and Installation Art (190504)
  • Applied Economics (140299)
  • Marketing Management (incl. Strategy and Customer Relations) (150503)
  • Economic Development and Growth (140202)
  • Music Performance (190407)
  • Small Business Management (150314)
  • Fine Arts (incl. Sculpture and Painting) (190502)

Research Impact

  • Music (950101)

Publications

Total publications

14

Journal Article

(5 outputs)
YearCitationAltmetrics
2014Carter D, 'Errata Erratum: Remixing Experimental Music', Musicology Australia, 36, (1) pp. 1-12. ISSN 1949-453X (2014) [Refereed Article]

DOI: 10.1080/08145857.2014.896070 [eCite] [Details]

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2014Carter D, 'Sketching the Lao Music Industries', The Malaysian Music Journal, 3, (1) pp. 32-47. ISSN 2232-1020 (2014) [Refereed Article]

[eCite] [Details]

2014Carter D, Rogers I, 'Fifteen Years of Utopia': Napster and Pitchfork as technologies of demoncratization', First Monday, 19, (10) pp. 1-12. ISSN 1396-0466 (2014) [Refereed Article]

DOI: 10.5210/fm.v19i10.5543 [eCite] [Details]

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2012Carter D, 'Reich Remixed: Minimalism and DJ Culture', Context: A Journal of Music Research, (37) pp. 37-53. ISSN 1038-4006 (2012) [Refereed Article]

[eCite] [Details]

2009Carter D, 'Surface Noise: A Cagean Approach to Electronica', Popular Musicology Online pp. 1-10. ISSN 1357-0951 (2009) [Refereed Article]

[eCite] [Details]

Conference Publication

(1 outputs)
YearCitationAltmetrics
2005Carter D, 'Well Past Time: Notes on a Musicology of Audio Recording Production', Art of Record Production conference 2005., 2005, London (2005) [Refereed Conference Paper]

[eCite] [Details]

Contract Report, Consultant's Report

(2 outputs)
YearCitationAltmetrics
2015Carter D, 'The Economic and Cultural Value of Live Music in Australia 2014', The National Live Music Office, Australia (2015) [Contract Report]

[eCite] [Details]

2009Carter D, 'Online Marketing Research Paper', Griffith Univeristy and Queensland Conservatorium (2009) [Contract Report]

[eCite] [Details]

Major Creative Work

(3 outputs)
YearCitationAltmetrics
2015Carter D, 'The Shadows Calling', Mona, Dark Mofo / Detached Gallery, 1 (2015) [Published Creative Work]

[eCite] [Details]

2013Carter D, 'Changing Light', Independent (iTunes / etc.), Online / Radio (2013) [Recorded Creative Work]

[eCite] [Details]

2013Carter D, 'Flood Plains', Bandcamp / Independent, Online / Brisbane Festival / Melbourne Fringe Festival (2013) [Recorded Creative Work]

[eCite] [Details]

Other Creative Work

(1 outputs)
YearCitationAltmetrics
2013Carter D, 'Mary Meets Mohammad Soundtrack', Warratah Films, International Cinema Release (2013) [Minor Creative Work]

[eCite] [Details]

Other Public Output

(2 outputs)
YearCitationAltmetrics
2015Carter D, 'First half hour - 13th August, 2015. Illegal firearms, live music & swooping magpies', 612 ABC Brisbane, Australian Broadcasting Company, Australia, 13 August (2015) [Media Interview]

[eCite] [Details]

2015Carter D, 'Re-emergence of cassettes as a music consumption format', 936 ABC Hobart, Australian Broadcasting Company, Australia (2015) [Media Interview]

[eCite] [Details]

Grants & Funding

Funding Summary

Number of grants

2

Total funding

$105,000

Projects

Cultural and Economic Contributions of Live Music Venues and Small-to-Medium Arts Spaces in the Sydney LGA (2016)$80,000
Description
This project examines the economic and cultural contributions of small-to-medium arts spaces and live music venues within the City of Sydney Local Government Area.
Funding
City of Sydney ($80,000)
Scheme
Contract Research
Administered By
University of Tasmania
Research Team
Carter D
Year
2016
Cultural and Economic Contributions of Live Music Making in Australia (2014)$25,000
Description
There is a nationally recognised need for better data around live music venues. This pilot study will comprise of a survey conducted face-to-face or via email with venue owners, booking agents and other organisers of live music events in Hobart, Melbourne and Sydney. The survey will collect quantitative data on the economic value of live music venues in each location, as well as qualitative data on their operations, audiences and engagement with regulatory bodies. The project, in collaboration with the National Live Music Office will conduct thematic analysis of the qualitative data collected. At the conclusion of the pilot project, a report will include aggregate economic modelling and qualitative analysis that will describe the current state of play for the venue-based live music industries in each city. The tool used for data collection and analysis will be included in the report to enable current and future stakeholders to undertake similar research in their own locality.
Funding
Arts South Australia ($5,000); City of Melbourne ($5,000); City of Sydney ($7,500); National Live Music Office (APRA) ($7,500)
Scheme
Contract Research
Administered By
University of Tasmania
Research Team
Carter D; Lehman KF
Year
2014