Hobart
Introduction
In this unit students will develop the technical skills and aesthetic judgement necessary for the realisation of musical work within their specialisation (Stream).
Students will engage in a range of activities and learning environments appropriate to their Stream.
These include:
Individual lessons
Classes and Lectures
Workshops and master-classes
Tutorials
Intensives
Projects and placements
Summary 2020
Unit name | Music Practice 4 |
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Unit code | FCA212 |
Credit points | 12.5 |
Faculty/School | College of Arts, Law and Education School of Creative Arts and Media |
Discipline | Music |
Coordinator | Dr Maria Grenfell – Composition, Dr Glen Hodges – Jazz & Popular Music Performance, Arabella Teniswood-Harvey – Classical Music Performance, Ms Mia Palencia – Songwriter, Dr Matthew Boden – Commercial Music Creation, Mr Stewart Long and Dr Matthew Boden – Music Technology |
Teaching staff | Profile staff and specialist casual staff as required |
Level | Intermediate |
Available as student elective? | No |
Breadth Unit? | No |
Availability
Note
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TNE Program units special approval requirements.
* The Final WW Date is the final date from which you can withdraw from the unit without academic penalty, however you will still incur a financial liability (see withdrawal dates explained for more information).
Learning Outcomes
Fees
Requisites
Prerequisites
FCA211
Mutual Exclusions
You cannot enrol in this unit as well as the following:
FCM216, FCM224, FCF202
Teaching
Teaching Pattern | Music Technology Specialisation Jazz & Popular Music Performance Specialisation Classical Performance Specialisation Composition Specialisation: Songwriter Specialisation: Commercial Music Creation Specialisation: |
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Assessment | Process assessment (40%) including some or all of: Class tasks Summative assessment (60%) including some or all of: Project work |
Timetable | View the lecture timetable | View the full unit timetable |
Textbooks
Required | None |
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