From David Bowie to Bruno Mars, Eurovision to K-Pop, Afro to Hip-Hop, are more rapid and fluid forms of global connectivity shaping our cultural identity, or do we make culture, identity, and meaning somehow through popular music?
This unit explores our shared humanity through the themes of ethnicity, gender, and Australian identity, as they are expressed and framed by popular musics. It recognises that changing political and economic orders across the world are challenging previously taken-for-granted definitions of identity and narratives of meaning.
This unit makes use of online audio-visual artefacts, discussion, and interviews, alongside more traditional academic sources. A wide choice of assessment questions along with flexibility in assessment submission style (eg. video report, event pitch, briefing paper, blog, conference programme). These provide for maximum alignment of student interest and learning and assessment tasks. This unit develops creative literacy and analytical skills through a unique multidisciplinary form of global inquiry.
|Unit name||Shaping the Global Soundcloud|
|Faculty/School||College of Arts, Law and Education
School of Creative Arts and Media
Dr Seán Priest
Dr Seán Priest
Dr Amanda J Harper
Ms Jodi Haines
|Available as student elective?||Yes|
|Location||Study period||Attendance options||Available to|
- International students
- Domestic students
Please check that your computer meets the minimum System Requirements if you are attending via Distance/Off-Campus.
Units are offered in attending mode unless otherwise indicated (that is attendance is required at the campus identified). A unit identified as offered by distance, that is there is no requirement for attendance, is identified with a nominal enrolment campus. A unit offered to both attending students and by distance from the same campus is identified as having both modes of study.
Special approval is required for enrolment into TNE Program units.
|Study Period||Start date||Census date||WW date||End date|
* The Final WW Date is the final date from which you can withdraw from the unit without academic penalty, however you will still incur a financial liability (see withdrawal dates explained for more information).
Unit census dates currently displaying for 2020 are indicative and subject to change. Finalised census dates for 2020 will be available from the 1st October 2019.
The Learning Outcomes from this Breadth Unit address elements of the University's Graduate Statement.
On successful completion of this unit you will be able to:
- [Sustainability] Explain how popular musics influence and respond to changing economic and socio-political dynamics and narratives of cultural identity.
- [Wellbeing] Interpret individual and collective narratives of identity, self, and meaning through contextualisation and consideration of popular musics.
- [Literacy] Identify, critically evaluate, and discuss modes of connectivity, communication, and interaction, within and across global and local cultures through the lens of popular music.
|Band||CSP Student Contribution||Full Fee Paying (domestic)||Field of Education|
|1||2020: $835.00||2020: $2,108.00||099999|
Fees for next year will be published in October. The fees above only apply for the year shown.
Please note: international students should refer to this page to get an indicative course cost.
There are three (3) themes in this unit: Ethnicity and popular music (30%), Gender and popular music (30%), and Australian identity and popular music (40%). Within each theme, there is a choice of assessment topics. You choose ONE topic from each theme.
|Timetable||View the lecture timetable | View the full unit timetable|
There is no single textbook required for this multi-disciplinary breadth unit. Required and recommended readings are identified within each module of study and will appear in MyLO.
Booktopia textbook links
The University reserves the right to amend or remove courses and unit availabilities, as appropriate.