Plimsoll Gallery, Hunter Street, Hobart
Summary:Brings together artists who hold and express tenderly the multiple aspects of their selves through a series of portraiture and anti-portraiture
Cassie Sullivan - Country is Calling, 2021. Giclée print on cotton rag, aluminium mount.
Image courtesy of the artist.
Interfacial Intimacies
Interfacial Intimacies brings together artists who hold and express tenderly the multiple aspects of their selves through a series of portraiture and anti-portraiture.
What does it mean to be the absolute essence of who you are without being wedded to any of it?
For a long time, the ‘self’ was considered a stable and trustworthy container within which you can be found.
Emerging theories of selfhood recognise that it isn’t so simple. We know that we can have as many social selves as the people who recognise us. Rather than being fixed and always coherent, our personalities can be participated in as a plethora of parallel processes and possibilities. Of transformation. Of continuous becoming.
This exhibition brings together artists who hold and express tenderly the multiple aspects of their selves through a series of portraiture and anti-portraiture. With photography, film, painting, installation, textile, and performance, this exhibition explores the tensions
of our networked personalities - our shadows, our masks, our shame.
Yet, the artists retain their agency and their ‘right to opacity’, to resist being wholly understood, or essentialised; towards an openness of cultural hybridity, to being visible while not being wholly transparent.
How will you show up today?
Artists: Bruno Booth, Amrita Hepi, Léuli Eshrāghi, Bhenji Ra, Aleks Danko, Cassie Sullivan, Georgia Morgan, Cigdem Aydemir, David Rosetzky, and Shea Kirk.
Curator: Caine Chennatt
Exhibition development received assistance through the Contemporary Art Tasmania Exhibition Development Fund and was produced by the University of Tasmania – Library and Cultural Collections
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