Profiles

Arabella Teniswood-Harvey

UTAS Home Dr Arabella Teniswood-Harvey

Arabella Teniswood-Harvey

Head of Discipline, Music
Senior Lecturer & Coord Classical Performance
Music | School of Creative Arts and Media

Hobart CBD Campuses

+61 3 6226 7331 (phone)

+61 3 6226 7333 (fax)

Arabella.TeniswoodHarvey@utas.edu.au

Dr Arabella Teniswood-Harvey is Coordinator of Classical Performance and Head of Discipline (Music) at the School of Creative Arts and Media. She is a pianist and art historian, interested in the interrelationships between music and visual culture. Recent work includes studying aspects of Australian music iconography from the late 19th century to the present day; and identity and music in social media and curatorial practice.

Title cover | Carpe Diem: Piano Music from Italy

Arabella has released a number of CDs on the Australian label Move, which have been critically acclaimed in forums including Gramophone magazine. Her most recent solo album Carpe Diem: Piano Music from Italy was highly praised by reviewer Gwen Bennett: “Stylish, intellectual and artistic, this production is quintessentially Italian in its elegance, combining music, expertly written text and photography.

Biography

Born in Hobart, Arabella studied piano in Melbourne where, in 1999, she was one of the few elite young Australian musicians awarded full scholarship for the Australian National Academy of Music’s inaugural Advanced Performance Program. An experienced collaborative musician, she has maintained strong duo partnerships with violinist Edwin Paling (former leader of the Royal Scottish National Orchestra) and with Michael Kieran Harvey, with whom she has performed significant two-piano repertoire of the twentieth century, including that of Bartók, Stravinsky and Messiaen, as well as new music for two pianos and percussion.

Her appearances at national festivals such as the Coriole Music Festival in South Australia, the Melbourne International Festival and Mona Foma, are complemented by international performances including concerts in Glasgow and Oxford, and lecture-recitals at Colby College Museum of Art and the Freer Gallery of Art, in the USA; and at the University of Glasgow’s Hunterian Art Gallery.

Her recorded output includes the solo piano albums The Ring of Bone: The Piano Music of Elisabeth Lutyens (MD 3354) and Carpe Diem: Piano Music from Italy (MD 3410)the duo albums with Edwin Paling, Lennox Berkeley: Complete Music for Violin and Piano, and Solo Violin (MD 3361) and Kenneth Leighton: Music for Violin and Piano (MD 3358) ; Patañjali (MD 3399) in which she performs piano, keyboard and trumpet alongside the composer Michael Kieran Harvey and percussionist Eugene Ughetti; and PRTZL (MD 3447)in which she performs experimental music with Michael Kieran Harvey and Clocked Out (Vanessa Tomlinson and Erik Griswold).

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The Ring of Bone: The Piano Music of Elisabeth Lutyens (MD 3354)Carpe Diem: Piano Music from Italy (MD 3410)Lennox Berkeley: Complete Music for Violin and Piano, and Solo Violin (MD 3361)Kenneth Leighton: Music for Violin and Piano (MD 3358)Patañjali (MD 3399)

Arabella holds degrees in music, art history and education, and her scholarly work is recognised internationally through invitations to present conference papers, chair sessions, participate in round tables and attend symposia. Her PhD thesis (2006) explored the impact of music on James McNeill Whistler’s art, and she maintains an interest in this field. Her research has been published in Music in Art: International Journal for Music IconographyThe British Art JournalThe Burlington Magazine, Psychology of Music and Context: Journal of Music Research. She has presented conference papers in the USA, Europe, Asia, Australia and New Zealand; and lecture-recitals in the USA and UK, using solo performance to illuminate her discussion and analysis of visual art.

From 2009 until 2011 Arabella was a member of the International Scholarly Advisory Board for American Art Initiatives at the Freer Gallery of Art, Smithsonian Institution (Washington D.C.). In 2020 she was appointed to the Council of Association Répertoire International d’Iconographie Musicale (RIdIM), Zurich.

Career summary

Qualifications

Degree Title of ThesisUniversityCountryAwarded
PhD Colour-Music: Musical Modelling in James McNeill Whistler's Art University of Tasmania Australia 2006
MMus Perf   University of Melbourne Australia 2001
GradDipEd   University of Melbourne Australia 2003
GradDipArts   University of Melbourne Australia 2003
BMus (Hons)   The Victorian College of the Arts, University of Melbourne Australia 1998
BMus Perf   The Victorian College of the Arts, University of Melbourne Australia 1998

Languages (other than English)

Arabella is currently studying German.

Memberships

Professional practice

    Professional practice

  • Member of the Musicological Society of Australia
  • Member of the International Musicological Society
  • Member of the Art Association of Australia and New Zealand
  • Committee associations

  • Council of Association Répertoire International d'Iconographie Musicale (RIdIM)
  • Chair of the Australian Music and Art Research Group (the national centre and working group of Association RIdIM)
  • Program committee for the 20th International Conference of Association RIdIM: Visualising the Unseen: Music in Visual Culture, Národní Muzeum, České Muzeum Hudby, Prague, 2021
  • Chair of the program committee and of the local organisation team for the 19th International Conference of Association RIdIM: Belonging and Detachment: Representing Musical Identity in Visual Culture, University of Tasmania, Hobart, 2019
  • Program committee for the 18th International Conference of Association RIdIM: Music and Image in Cultural, Social and Political Discourse, Canterbury Christ Church University, England, 2018

Administrative expertise

  • Head of Discipline, 2019 -
  • International conference organisation

Teaching

Classical piano, Music history, Art history, Music iconography, Music and visual culture, Chamber music, Experimental music, Piano accompaniment, Performance.

Teaching expertise

Classical piano, music history and contextual studies, music theory, art history and theory, music and visual culture, chamber music, experimental music, piano accompaniment, performance.

Arabella teaches classical piano, contextual studies and various performance classes including experimental music and chamber music; and also supervises Honours and Research Higher Degree candidates in music and fine arts. Her experience includes teaching art theory, music theory and analysis. She is the recipient of two student-nominated teaching merit certificates from the University of Tasmania. She coordinates Classical Performance.

Research Appointments

Research Invitations

  • Queensland Conservatorium Research Centre, 84 Pianos: Global Pandemic Edition, performance in live audio-visual mix, 2020
  • Queensland Conservatorium Research Centre, Colloquium Presentation, 2019
  • International Musicological Society, Swiss National Science Foundation (SNSF) Round Table, ‘Future Perspectives of Music Research in Higher Education’, Lucerne, 2019

View more on Dr Arabella Teniswood-Harvey in WARP

Expertise

  • Music iconography
  • Music in visual culture
  • James McNeill Whistler
  • Australian art and music
  • 20th century violin and piano music from England and Scotland
  • 19th, 20th and 21st century piano repertoire
  • Contemporary classical and experimental music

Research Themes

Arabella’s research aligns with the University of Tasmania’s research theme Creativity, Culture and Society.

Collaboration

Dr Teniswood-Harvey is currently collaborating with:

  • Professor Dr. Antonio Baldassarre (Lucerne University of Applied Sciences and Arts, and President of Association Répertoire International d’Iconographie Musicale (RIdIM)) to co-edit a book of scholarly essays with the working title Belonging and Detachment, to be published by Hollitzer Verlag, Vienna
  • Dr Patricia de Montfort (University of Glasgow), Dr Grischka Petri (University of Bonn) and Dr Linda Merrill (Emory University, USA) on the development of an online critical edition of Whistler’s writings with related contextual material – Writing Whistler: A Digital Edition.
  • Scholars from Switzerland, the United States of America, Italy and Mexico through the Council of Association RIdIM
  • Scholars from the Czech Republic, Switzerland, Austria, Columbia, the United States of America, Italy, Uruguay and China through the Programme Committee for the 2021 Association RIdIM conference
  • Scholars, musicians, art historians and curators from various parts of Australia through the Australian Music and Art Research Group

Awards

Dr Teniswood-Harvey’s CD Lennox Berkeley: Complete music for violin and piano, and solo violin (MD 3361) was awarded Gramophone magazine’s 2014 “Critics’ Choice” by reviewer Peter Dickinson.

Patañjali (MD 3399) – composed by Michael Kieran Harvey and performed by Michael Kieran Harvey, Arabella Teniswood-Harvey and Eugene Ughetti with yoga asana by Arjun von Caemmerer - was a 2016 finalist in the APRA AMCOS Art Music Awards Instrumental Work of the Year and received the Tasmanian State Award.

Current projects

Current projects include co-editing (with Antonio Baldassarre, Lucerne University of Applied Sciences and Arts) a volume entitled Belonging and Detachment: Representing Musical Identity in Visual Culture for publication by Hollitzer Verlag, Vienna.

Dr Teniswood-Harvey is the chair and lead instigator of the Australian Music and Art Research Group.

Fields of Research

  • Music performance (360304)
  • Art history (360102)
  • Performing arts (360499)
  • Musicology and ethnomusicology (360306)
  • Art theory (360103)
  • Australian history (430302)
  • Visual cultures (360104)
  • Art history, theory and criticism (360199)
  • Sociology (441099)
  • Critical heritage, museum and archive studies (430202)
  • Visual arts (360699)

Research Objectives

  • Music (130102)
  • The performing arts (130104)
  • Arts (130199)
  • The creative arts (130103)
  • Expanding knowledge in creative arts and writing studies (280122)
  • Understanding Australia's past (130703)
  • Other culture and society (139999)
  • Understanding Europe's past (130704)
  • Other education and training (169999)
  • Communication (130299)

Publications

Arabella’s scholarly research has been published in leading international, peer-reviewed, art history and music journals including The Burlington Magazine, The British Art Journal, Music in Art: International Journal for Music Iconography and Psychology of Music. Her CDs (including extensive liner notes) are published on the Move label, and her performances and recordings are frequently broadcast on ABC Classic FM.

The Ring of Bone: The Piano Music of Elisabeth Lutyens (MD 3354)Carpe Diem: Piano Music from Italy (MD 3410)Lennox Berkeley: Complete Music for Violin and Piano, and Solo Violin (MD 3361)Kenneth Leighton: Music for Violin and Piano (MD 3358)Patañjali (MD 3399)

Total publications

72

Highlighted publications

(16 outputs)
YearTypeCitationAltmetrics
2018Chapter in BookTeniswood-Harvey A, 'The piano/fountain association: From Franz Liszt to Salvador Dali', Musical Culture in Sounds, Words and Images: Essays in honor of Zdravko Blazekovic, HOLLITZER Wissenschaftsverlag, A Baldassarre and T Markovic (ed), Wien, pp. 603-618. ISBN 978-3-99012-451-2 (2018) [Research Book Chapter]

[eCite] [Details]

2016Journal ArticleTeniswood-Harvey A, 'Reconsidering the ANZAC legend: music, national identity and the Australian experience of World War I, as portrayed in the Australian War Memorial's Art and Photographic Collections', Music in Art, 41, (1-2) pp. 11-22. ISSN 1522-7464 (2016) [Refereed Article]

[eCite] [Details]

2016Journal ArticleTeniswood-Harvey A, 'Reconsidering Whistler's portrait of Henry Irving', Burlington Magazine, 158, (1362) pp. 723-729. ISSN 0007-6287 (2016) [Refereed Article]

[eCite] [Details]

2016Major Creative WorkTeniswood-Harvey A, 'Carpe Diem: piano music from Italy', Move Records, Melbourne, Australia, 1 (2016) [Recorded Creative Work]

[eCite] [Details]

2015Major Creative WorkHarvey MK, Ughetti E, von Caemmerer A, Teniswood-Harvey A, 'Michael Kieran Harvey, Patanjali', Move Records, Melbourne, Catalogue no: MD 3399 (2015) [Recorded Creative Work]

[eCite] [Details]

Co-authors: Harvey MK

2014Journal ArticleTeniswood-Harvey A, 'Music in Colour Whistler's Six Projects and Schubert's Moments musicaux, Op. 94', The British Art Journal: the research journal of British art studies, XV, (1) pp. 27-34. ISSN 1467-2006 (2014) [Refereed Article]

[eCite] [Details]

2014Journal ArticleZhukov K, Viney L, Riddle G, Teniswood-Harvey A, Fujimura K, 'Improving sight-reading skills in advanced pianists: a hybrid approach', Psychology of Music, 44, (2) pp. 155-167. ISSN 0305-7356 (2014) [Refereed Article]

DOI: 10.1177/0305735614550229 [eCite] [Details]

Citations: Scopus - 2Web of Science - 2

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2013Journal ArticleTeniswood-Harvey A, 'Music and Cross-Cultural Exchange in the Art of Tom Roberts, Arthur Streeton and James McNeill Whistler', Music in Art: International Journal for Music Iconography, 38, (1-2) pp. 89-99. ISSN 1522-7464 (2013) [Refereed Article]

[eCite] [Details]

2013Major Creative WorkTeniswood-Harvey A, Paling EJ, 'Lennox Berkeley: Complete Music for Violin and Piano, and Solo Violin', Move Records, Melbourne, pp. includes 8 page booklet (2013) [Recorded Creative Work]

[eCite] [Details]

Co-authors: Paling EJ

2013Major Creative WorkTeniswood-Harvey A, Paling EJ, 'Kenneth Leighton: Music for Violin and Piano', Move Records, Melbourne, pp. includes an 8 page booklet (2013) [Recorded Creative Work]

[eCite] [Details]

Co-authors: Paling EJ

2011Journal ArticleTeniswood-Harvey A, 'Art about art: Whistler's Portrait of Pablo de Sarasate', The Burlington Magazine, 153, (1294) pp. 36-40. ISSN 0007-6287 (2011) [Refereed Article]

[eCite] [Details]

2011Major Creative WorkTeniswood-Harvey A, 'The Ring of Bone: The Piano Music of Elisabeth Lutyens', Move Records, Melbourne, pp. includes a 12 page booklet (2011) [Recorded Creative Work]

[eCite] [Details]

2010Journal ArticleTeniswood-Harvey A, 'Whistler's Nocturnes: A Case Study in Musical Modelling', Music in Art, 35, (no. 1-2) pp. 71-83. ISSN 1522-7464 (2010) [Refereed Article]

[eCite] [Details]

2010Major Creative WorkTeniswood-Harvey A, 'Schubert's Moments musicaux and Whistler's Six Projects: A Lecture-Recital by Arabella Teniswood-Harvey', Colby College Museum of Art , Colby College Museum of Art, Maine, USA (2010) [Performance]

[eCite] [Details]

2010Major Creative WorkTeniswood-Harvey A, 'Night Music', Freer Gallery of Art , Freer Gallery of Art, Smithsonian Institution, USA (2010) [Performance]

[eCite] [Details]

2010Journal ArticleTeniswood-Harvey A, 'Music and movement: a survey of Whistler's lesser-known images of music, theatre and dance', British Art Journal, 10, (3) pp. 131-137. ISSN 1467-2006 (2010) [Refereed Article]

[eCite] [Details]

Journal Article

(11 outputs)
YearCitationAltmetrics
2018Teniswood-Harvey A, 'The Artist's Piano: Parisian Self-Portraits by Hugh Ramsay (1877-1906)', Context, 43 pp. 1-12. ISSN 1038-4006 (2018) [Refereed Article]

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2016Teniswood-Harvey A, 'Reconsidering the ANZAC legend: music, national identity and the Australian experience of World War I, as portrayed in the Australian War Memorial's Art and Photographic Collections', Music in Art, 41, (1-2) pp. 11-22. ISSN 1522-7464 (2016) [Refereed Article]

[eCite] [Details]

Tweet

2016Teniswood-Harvey A, 'Reconsidering Whistler's portrait of Henry Irving', Burlington Magazine, 158, (1362) pp. 723-729. ISSN 0007-6287 (2016) [Refereed Article]

[eCite] [Details]

Tweet

2014Teniswood-Harvey A, 'Music in Colour Whistler's Six Projects and Schubert's Moments musicaux, Op. 94', The British Art Journal: the research journal of British art studies, XV, (1) pp. 27-34. ISSN 1467-2006 (2014) [Refereed Article]

[eCite] [Details]

Tweet

2014Zhukov K, Viney L, Riddle G, Teniswood-Harvey A, Fujimura K, 'Improving sight-reading skills in advanced pianists: a hybrid approach', Psychology of Music, 44, (2) pp. 155-167. ISSN 0305-7356 (2014) [Refereed Article]

DOI: 10.1177/0305735614550229 [eCite] [Details]

Citations: Scopus - 2Web of Science - 2

Tweet

2013Teniswood-Harvey A, 'Music and Cross-Cultural Exchange in the Art of Tom Roberts, Arthur Streeton and James McNeill Whistler', Music in Art: International Journal for Music Iconography, 38, (1-2) pp. 89-99. ISSN 1522-7464 (2013) [Refereed Article]

[eCite] [Details]

Tweet

2013Teniswood-Harvey A, 'Rosalind, Appleby, Women of Note: The Rise of Australian Women Composers,', Studies in Western Australian History, 28 pp. 147-148. ISSN 0314-7525 (2013) [Letter or Note in Journal]

[eCite] [Details]

2012Teniswood-Harvey A, 'Review: Peter DAYAN, Artas Music, Music as Poetry, Poetry as Art, from Whistler to Stravinsky and Beyond (Farnham: Ashgate, 2011)', Music in Art, XXXVII, (1-2) pp. 291-292. ISSN 1522-7464 (2012) [Letter or Note in Journal]

[eCite] [Details]

2011Teniswood-Harvey A, 'Art about art: Whistler's Portrait of Pablo de Sarasate', The Burlington Magazine, 153, (1294) pp. 36-40. ISSN 0007-6287 (2011) [Refereed Article]

[eCite] [Details]

Tweet

2010Teniswood-Harvey A, 'Whistler's Nocturnes: A Case Study in Musical Modelling', Music in Art, 35, (no. 1-2) pp. 71-83. ISSN 1522-7464 (2010) [Refereed Article]

[eCite] [Details]

Tweet

2010Teniswood-Harvey A, 'Music and movement: a survey of Whistler's lesser-known images of music, theatre and dance', British Art Journal, 10, (3) pp. 131-137. ISSN 1467-2006 (2010) [Refereed Article]

[eCite] [Details]

Tweet

Chapter in Book

(1 outputs)
YearCitationAltmetrics
2018Teniswood-Harvey A, 'The piano/fountain association: From Franz Liszt to Salvador Dali', Musical Culture in Sounds, Words and Images: Essays in honor of Zdravko Blazekovic, HOLLITZER Wissenschaftsverlag, A Baldassarre and T Markovic (ed), Wien, pp. 603-618. ISBN 978-3-99012-451-2 (2018) [Research Book Chapter]

[eCite] [Details]

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Review

(1 outputs)
YearCitationAltmetrics
2015Teniswood-Harvey A, 'And the Band Played On: How Music Lifted the Anzac Spirit in the Battlefields of the First World War' pp. 288. (2015) [Review Single Work]

[eCite] [Details]

Conference Publication

(14 outputs)
YearCitationAltmetrics
2019Teniswood-Harvey A, 'Visual Art and Agency in the Identity Formation of Peter Sculthorpe (1929-2014)', Intercongressional Symposium: Agency and Identity in Music, 7-10 July, Lucerne, Switzerland, pp. 61. (2019) [Conference Extract]

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2019Teniswood-Harvey A, 'Sounding Spaces', Intercongressional Symposium: Agency and Identity in Music, 7-10 July, Lucerne, Switzerland, pp. 17. (2019) [Chair International Conference]

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2019Teniswood-Harvey A, 'Future Perspectives of Music Research in Higher Education', Intercongressional Symposium Agency and Identity in Music, 7-10 July, Lucerne, Switzerland, pp. 19. (2019) [Plenary Presentation]

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2019Teniswood-Harvey A, 'Belonging and Detachment: Representing Musical Identity in Visual Culture', 19th International Conference of Association RIdIM, 13-15 November 2019, Hobart, Australia ISBN 9783033068094 (2019) [Chair International Conference]

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2019Teniswood-Harvey A, 'Centred on the periphery: the development of an Australian musical avant-garde in the 1960s', 19th International Conference of Association RIdIM, Belonging and Detachment: Representing Musical Identity in Visual Culture, 13-15 November 2019, Hobart, Australia, pp. 66. (2019) [Conference Extract]

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2019Teniswood-Harvey A, 'Belonging and Detachment: Representing Musical Identity in Visual Culture, 19th International Conference of Association RIdIM', University of Tasmania, 13-15 November 2019, Hobart, Australia ISBN 9783033068094 (2019) [Conference Edited]

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2018Teniswood-Harvey A, 'Gender politics and performance', 18th International Conference of Association RIdIM - Music and Image in Social, Cultural and Political Discourse Program, 9-12 July 2018, Canterbury Christ Church University, pp. 26. ISBN 978-3-033-06809-4 (2018) [Chair International Conference]

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2018Teniswood-Harvey A, 'FashionFriday: Lang Lang's Visual Marketing', 18th International Conference of Association RIdIM - Music and Image in Social, Cultural and Political Discourse Program, 9-12 July 2018, Canterbury Christ Church University, pp. 80-81. ISBN 978-3-033-06809-4 (2018) [Conference Extract]

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2018Teniswood-Harvey A, 'Transcultural exchanges between Portugal and the Estado da India', Iberian musical crossroads through the ages: Images of music-making in their transcultural exchange: 15th Symposium of the ICTM Study Group on Iconography of the Performing Arts, 17-19 October 2018, Institut d'Estudis Catalans, pp. 3. (2018) [Chair International Conference]

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2018Teniswood-Harvey A, 'The enduring fascination of Lola Montez: 20th- and 21st-century interpretations of a 19th-century 'Spanish' dancer', Iberian musical crossroads through the ages: Images of music-making in their transcultural exchange: 15th Symposium of the ICTM Study Group on Iconography of the Performing Arts, 17-19 October 2018, Institut d'Estudis Catalans, pp. 3. (2018) [Conference Extract]

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2018Teniswood-Harvey A, 'Images of Australian Musicians: Diversity, Identity, Status, Class', Through the looking glass, 6-9 December 2018, Western Australian Academy of Performing Arts, pp. 88. (2018) [Conference Extract]

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2018Teniswood-Harvey A, 'Panel Session: Music as Metaphor in Medieval and Early Modern Art', Through the looking glass, 6-9 December 2018, Western Australian Academy of Performing Arts, pp. 32. (2018) [Chair National Conference]

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2017Teniswood-Harvey A, 'Asian Contexts', RIdIM 17th International Conference: Music and dance in visual culture Programme, 5-7 October 2017, Athens, Greece, pp. 19. (2017) [Chair International Conference]

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2017Teniswood-Harvey A, 'The depiction of musicians and dancers in Australia', RIdIM 17th International Conference: Music and dance in visual culture Programme, 5-7 October 2017, Athens, Greece, pp. 76. (2017) [Conference Extract]

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Major Creative Work

(31 outputs)
YearCitationAltmetrics
2019Teniswood-Harvey A, Harvey MK, Dobson A, Addison J, Deeth A, et al., 'Belonging and Detachment: An Evening of Australian Instrumental Music', Association Repertoire International d'Iconographie Musicale (RIdIM) 19th International Conference, Recital Hall, Conservatorium of Music, University of Tasmania (2019) [Performance]

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Co-authors: Harvey MK; Dobson A; MacDonald D

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2019Teniswood-Harvey A, Harvey MK, Tomlinson V, Griswold E, 'Clocked Out with Arabella Teniswood and Michael Kieran Harvey', The Queensland Conservatorium, Ian Hangar Recital Hall, Griffith University (2019) [Performance]

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Co-authors: Harvey MK

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2016Teniswood-Harvey A, 'Carpe Diem: piano music from Italy', Move Records, Melbourne, Australia, 1 (2016) [Recorded Creative Work]

[eCite] [Details]

2015Harvey MK, Ughetti E, von Caemmerer A, Teniswood-Harvey A, 'Michael Kieran Harvey, Patanjali', Move Records, Melbourne, Catalogue no: MD 3399 (2015) [Recorded Creative Work]

[eCite] [Details]

Co-authors: Harvey MK

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2014Teniswood-Harvey A, 'Saturday Evening Concert with Julian Day', ABC National Radio Classic FM, 4 October (2014) [Broadcast]

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2014Teniswood-Harvey A, Harvey MK, Campbell E, '2014 Coriole Music Festival', Coriole Vineyards, Coriole Vineyards, McLaren Vale, South Australia (2014) [Performance]

[eCite] [Details]

Co-authors: Harvey MK

2014Teniswood-Harvey A, Harvey MK, Edwardes C, Tomlinson V, '2014 Accompanists' Festival Piano with Percussion: An Elder Perspectives Recital', Accompanists' Guild of South Australia, Elder Hall, University of Adelaide (2014) [Performance]

[eCite] [Details]

Co-authors: Harvey MK

2013Teniswood-Harvey A, Paling EJ, 'Lennox Berkeley: Complete Music for Violin and Piano, and Solo Violin', Move Records, Melbourne, pp. includes 8 page booklet (2013) [Recorded Creative Work]

[eCite] [Details]

Co-authors: Paling EJ

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2013Teniswood-Harvey A, Paling EJ, 'Kenneth Leighton: Music for Violin and Piano', Move Records, Melbourne, pp. includes an 8 page booklet (2013) [Recorded Creative Work]

[eCite] [Details]

Co-authors: Paling EJ

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2012Teniswood-Harvey A, Williams JD, Quaife M, '2012 Symphony Australia TSO Composers' School Chamber Music Presentation', TSO Studio (2012) [Performance]

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Co-authors: Williams JD

2011Teniswood-Harvey A, 'The Ring of Bone: The Piano Music of Elisabeth Lutyens', Move Records, Melbourne, pp. includes a 12 page booklet (2011) [Recorded Creative Work]

[eCite] [Details]

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2011Teniswood-Harvey A, Edwards J, Tallon J, Schubert R, 'Love Life Letters: Johannes Brahms', Hobart Town Hall (2011) [Performance]

[eCite] [Details]

2011Teniswood-Harvey A, Glazer L, de Montfort P, Ono A, 'Cross Cultural Interchange and Aspirations od Universality: The Peacock Room in 1908', Smithsonian, USA (2011) [Recorded Creative Work]

[eCite] [Details]

2010Teniswood-Harvey A, 'Schubert's Moments musicaux and Whistler's Six Projects: A Lecture-Recital by Arabella Teniswood-Harvey', Colby College Museum of Art , Colby College Museum of Art, Maine, USA (2010) [Performance]

[eCite] [Details]

2010Teniswood-Harvey A, 'Night Music', Freer Gallery of Art , Freer Gallery of Art, Smithsonian Institution, USA (2010) [Performance]

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2010Teniswood-Harvey A, Edwards J, 'MONA FOMA 2011: Jane Edwards concert', MONA FOMA, Baha'i Centre, Hobart (2010) [Performance]

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2010Teniswood-Harvey A, Legg AFJ, 'UTAS Classical Series: Keyboard Showcase concert', Conservatorium Recital Hall, Hobart (2010) [Performance]

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Co-authors: Legg AFJ

2010Teniswood-Harvey A, Noonan H, Lang I, Longhurst J, Cooper S, 'Australian Shakespeare Festival: 'She had Immortal Longings'', Australian Shakespeare Festival, Peacock Theatre, Hobart (2010) [Performance]

[eCite] [Details]

2010Teniswood-Harvey A, Paling EJ, 'Organs of the Ballarat Goldfields 16th Annual Festival: 'Richard Strauss and Maurice Ravel - Sonatas for Violin'', Organs of the Ballarat Goldfields Festival 2011, Wendouree Centre for Performing Arts, 1220 Howitt (2010) [Performance]

[eCite] [Details]

Co-authors: Paling EJ

2010Teniswood-Harvey A, Paling EJ, 'Murray River International Music Festival: Arabella Teniswood-Harvey and Edwin Paling Gallery concert', Murray River International Music Festival, Mildura Arts Centre Gallery (2010) [Performance]

[eCite] [Details]

Co-authors: Paling EJ

2010Teniswood-Harvey A, Paling EJ, 'UTAS Lunchtime Series: Edwin Paling and Arabella Teniswood-Harvey Recital', Conservatorium Recital Hall, Hobart (2010) [Performance]

[eCite] [Details]

Co-authors: Paling EJ

2010Teniswood-Harvey A, Wojtowicz C, Long SC, 'CD title: 'Douglas Knehans: fractured traces: new music for cello'. Relevant track title: soar for cello and piano (2005) (track 5)', Ablaze records, USA, Hobart, Red Planet Recordings (2010) [Recorded Creative Work]

[eCite] [Details]

Co-authors: Wojtowicz C; Long SC

2009Paling EJ, Williams JD, Wojtowicz C, Teniswood-Harvey A, 'Beethoven and Dvorak - UTAS Conservatorium Staff Concert', Hobart, Tasmania, Australia (2009) [Performance]

[eCite] [Details]

Co-authors: Paling EJ; Williams JD; Wojtowicz C

2009Teniswood-Harvey A, Harvey MK, Parnell N, Adam J, 'Coriole Music Festival Concert, South Australia', Coriole Winery, SA (2009) [Performance]

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Co-authors: Harvey MK

2009Teniswood-Harvey A, Phillips M, 'Staff Recital Series, Tasmanian Conservatorium of Music', UTAS Conservatorium Recital Hall, hobart (2009) [Performance]

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2008Teniswood-Harvey A, Paling EJ, 'Arabella Teniswood-Harvey and Edwin Paling perform the piano and violin music of Kenneth Leighton', Tasmania (2008) [Performance]

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Co-authors: Paling EJ

2008Teniswood-Harvey A, Paling EJ, 'Staff Recital Series, Tasmanian Conservatorium of Muisc', Tasmania (2008) [Performance]

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Co-authors: Paling EJ

2008Teniswood-Harvey A, Paling EJ, Wojtowicz C, Monkhouse H, 'Messiaen Festival, Tasmanian Conservatorium of Music', Hobart, Tasmania (2008) [Performance]

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Co-authors: Paling EJ; Wojtowicz C; Monkhouse H

2008Teniswood-Harvey A, Paling EJ, Wojtowicz C, St Leon J, 'Meadowbank Estate Concert', Meadowbank, Tasmania (2008) [Performance]

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Co-authors: Paling EJ; Wojtowicz C; St Leon J

2008Teniswood-Harvey A, Paling EJ, Wojtowicz C, St Leon J, Lazaroff R, 'Kettering Concert', Kettering, Tasmania (2008) [Performance]

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Co-authors: Paling EJ; Wojtowicz C; St Leon J

2008Teniswood-Harvey A, Paulsen D, 'Hobart Town Hall Recital Series, Island Brass Academy', Hobart, Tasmania (2008) [Performance]

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Other Creative Work

(10 outputs)
YearCitationAltmetrics
2020Harvey MK, Teniswood-Harvey A, Griswold E, Tomlinson V, Murphy T, et al., 'PRTZL: Chamber works composed by Michael Kieran Harvey', Move Records, Melbourne (2020) [Minor Creative Work]

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Co-authors: Harvey MK; Grice D; Reade S

Tweet

2018Teniswood-Harvey A, Harvey MK, '2 Pianos - music by Bartok and Zimmermann', Tasmanian Conservatorium of Music, Conservatorium Recital Hall, pp. 2 pieces (50 mins duration) (2018) [Performance Practice]

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Co-authors: Harvey MK

2017Teniswood-Harvey A, Harvey MK, Goddard M, Patten T, Barnes J, et al., 'The Golden Ratio', Conservatorium of Music, University of Tasmania, Tasmania, pp. 2 (2017) [Performance Practice]

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Co-authors: Harvey MK; Goddard M

2017Teniswood-Harvey A, Lichnovsky M, 'Intercontinental', Conservatorium Recital Hall, Hobart, Hobart, pp. one hour of music (7 pieces) (2017) [Performance Practice]

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2017Teniswood-Harvey A, Paling E, 'Violin and Piano Recital: Poulenc, Prokofiev, Hindemith', HObart Town Hall, Hobart Town Hall, pp. 90 minute concert (3 pieces) (2017) [Performance Practice]

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2016Teniswood-Harvey A, 'CD Launch - Carpe Diem: Piano Music from Italy', University of Tasmania, University of Tasmania Conservatorium Recital Hall (2016) [Performance Practice]

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2016Teniswood-Harvey A, Harvey MK, 'Music for Two Pianos: Debussy's 'En blanc et noir' and Stravinsky's 'The Rite of Spring'', University of Tasmania, University of Tasmania Conservatorium Recital Hall, pp. 2 (2016) [Performance Practice]

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Co-authors: Harvey MK

2016Teniswood-Harvey A, Harvey MK, Edwards J, 'Let's Dance (with Handel): music for two pianos and voice by Australian composer Richard Vella', Conservatorium Recital Hall, Hobart, Hobart, pp. 75 minutes (2016) [Performance Practice]

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Co-authors: Harvey MK; Edwards J

2016Teniswood-Harvey A, Harvey MK, Edwards JA, 'Let's dance (with Handel): music for two pianos and voice by Australian composer Richard Vella', University of Tasmania, University of Tasmania Conservatorium Recital Hall (2016) [Performance Practice]

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Co-authors: Harvey MK; Edwards JA

2016Teniswood-Harvey A, Harvey MK, Spiers C, Cummings K, 'Handel in the Mix: Music by Michael Kieran Harvey, Colin Spiers, Richard Vella and G.F. Handel and performed by Michael Kieran Harvey, Arabella Teniswood-Harvey, Karen Cummings and Colin Spiers', Harold Lobb Concert Hall, The Conservatorium of Mu, University of Newcastle, NSW, pp. 2.5 hour concert (2016) [Performance Practice]

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Co-authors: Harvey MK

Thesis

(2 outputs)
YearCitationAltmetrics
2006Teniswood-Harvey A, 'Colour-Music: Musical Modelling in James McNeill Whistler's Art' (2006) [PhD]

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2006Teniswood-Harvey A, 'Colour-Music: Musical Modelling in James McNeill Whistler's Art' (2006) [PhD]

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Other Public Output

(2 outputs)
YearCitationAltmetrics
2015Teniswood-Harvey A, 'Anzac Music in Pictures', 936 ABC Hobart interview with Ryk Goddard, Australian Broadcasting Company, Australia, 13 April (2015) [Media Interview]

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2013Teniswood-Harvey A, 'Music in Art: Rethinking (and refreshing) Schubert's Moments musicaux Op 94 via Whistler's Six Projects', Tasmanian Music Teachers Association Journal, Tasmanian Music Teachers Association, Hobart, Tasmania (2013) [Magazine Article]

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Grants & Funding

Funding Summary

Number of grants

4

Total funding

$24,733

Projects

Images of Australian Musicians: Diversity, Identity, Status, Class (2018)$7,333
Description
The project considers the portraiture of classical musicians in relation to jazz, pop, experimental and indigenous musicians; and issues of gender, sexuality, race, and cultural identity. The discipline-specific research question is: what can we learn about the diversity, identity and status of musicians in Australia by studying their visual representation? Given the visual bias of contemporary society the representation of music plays a powerful role in communicating ideas about music to the broader public. The larger question is: how can this study (which uses the methodologies and theories of art history and music iconography) contribute to current discussions about class?
Funding
University of Tasmania ($7,333)
Scheme
Grant-CAL Hothouse Research Enhancement Program
Administered By
University of Tasmania
Research Team
Teniswood-Harvey A
Year
2018
2012: 11th Conference of the International Council for Traditional Music Study Group on Iconography of the Performing Arts (2012)$900
Funding
University of Tasmania ($900)
Scheme
Grant-Conference Support Scheme
Administered By
University of Tasmania
Research Team
Teniswood-Harvey A
Year
2012
An Investigation of the Violin and Piano Duo Repertoire of Rawsthorne, Berkley, Musgrave and Lutyens: Unjustly Neglected or Just Unknown? (2010)$11,500
Funding
University of Tasmania ($11,500)
Scheme
Grant-Institutional Research Scheme
Administered By
University of Tasmania
Research Team
Teniswood-Harvey A; Paling EJ
Year
2010
Research Performance of the Solo Piano Music of Elisabeth Lutyens (2008)$5,000
Funding
University of Tasmania ($5,000)
Scheme
Grant-New Appointees Research Grant Scheme (NARGS)
Administered By
University of Tasmania
Research Team
Teniswood-Harvey A
Year
2008

Research Supervision

Dr Teniswood-Harvey supervises traditional and non-traditional research projects in music and fine arts. In particular, she is keen to supervise candidates working within the areas of music iconography, and music and visual culture, and invites contact from potential applicants. Her other areas of interest and knowledge are piano performance and interpretation; experimental music; the art of James McNeill Whistler; the music of Elisabeth Lutyens, Kenneth Leighton and Lennox Berkeley; Australian art and music; and music, art, identity and agency.

She is available to examine HDR theses in art history and music.

Completed

2

Completed

DegreeTitleCompleted
PhDAn Investigation of the Application and Performance Execution of the Aksak in the Solo Piano Music of Bla Bartk, Gyrgy Ligeti, Lubomir Pipkov, Vassil Kazandjiev, Ahmed Adnan Saygun and Ilhan Baran
Candidate: Gergana Nikolaeva Yildiz
2020
MastersSong in a Strange Land: An investigation, in paint, into the music of Arauco Libre
Candidate: Ronald Alan Wilson
2018