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Between Waves: Artwork images

Find out more about the Between Waves exhibition

Dean Cross On who goes to The Gallows 1997-2023 aluminium, timber, fired ceramic and synthetic polymer paint 174 cm x 316 cm x 131.9 cm Installation View, Australian Centre for Contemporary Art, Melbourne 2023 Commissioned by ACCA Courtesy the artist and STATION, Melbourne Photograph: Andrew Curtis

Dean Cross On who goes to The Gallows 1997-2023 (detail) aluminium, timber, fired ceramic and synthetic polymer paint 174.0 cm x 316.0 cm x 131.9.0 cm Installation View, Australian Centre for Contemporary Art, Melbourne 2023 Commissioned by ACCA Courtesy the artist and STATION, Melbourne Photograph: Andrew Curtis

Hayley Millar Baker Entr’acte 2023 (still) single channel video 11:20 mins, looped Commissioned by ACCA Courtesy the artist and Vivien Anderson Gallery, Melbourne

Hayley Millar Baker Entr’acte 2023 single channel video 11:20 mins, looped Installation view, Australian Centre for Contemporary Art, Melbourne 2023 Commissioned by ACCA Courtesy the artist and Vivien Anderson Gallery, Melbourne

Cassie Sullivan wayi (to hear) 2023 (detail) seven tarlatan monotype prints on frosted acrylic 170 x 122.0 cm each Installation view, Australian Centre for Contemporary Art, Melbourne 2023 Commissioned by ACCA Courtesy the artist Photograph: Andrew Curtis

Cassie Sullivan wayi (to hear) 2023 seven tarlatan monotype prints on frosted acrylic 170.0 x 122.0 cm each Installation view, Australian Centre for Contemporary Art, Melbourne 2023 Commissioned by ACCA Courtesy the artist Photograph: Andrew Curtis

Mandy Quadrio Not gone! 2023 (detail) wire mesh, rotating mechanism dimensions variable Installation view, Australian Centre for Contemporary Art, Melbourne 2023 Commissioned by ACCA Courtesy the artist Photograph: Andrew Curtis

Mandy Quadrio Not gone! 2023 wire mesh, rotating mechanism dimensions variable Installation view, Australian Centre for Contemporary Art, Melbourne 2023 Commissioned by ACCA Courtesy the artist Photograph: Andrew Curtis

Jazz Money infinite iterative piece 2023 (still) three-channel video projection, 16:9 duration variable, audio 9:25 mins looped Commissioned by ACCA Courtesy the artist

Jazz Money infinite iterative piece 2023 three-channel video projection, 16:9 duration variable, audio 9:25 mins looped Installation view, Australian Centre for Contemporary Art, Melbourne 2023 Commissioned by ACCA Courtesy the artist Photograph: Andrew Curtis

Brad Darkson waiting for kakirra 2023 motion activated animation and HD video with sound dimensions and duration variable Installation view, Australian Centre for Contemporary Art, Melbourne 2023 Commissioned by ACCA Courtesy the artist Photograph: Andrew Curtis

Brad Darkson waiting for kakirra 2023 (still) motion activated animation and HD video with sound dimensions and duration variable Installation view, Australian Centre for Contemporary Art, Melbourne 2023 Commissioned by ACCA Courtesy the artist

Maree Clarke now you see me: seeing the invisible #1 2023 (detail) photographic microscopy prints on acetate 30 x 30cm each Installation view, Australian Centre for Contemporary Art, Melbourne 2023 Commissioned by ACCA Courtesy the artist and Vivien Anderson Gallery, Melbourne. Photograph: Andrew Curtis 

Maree Clarke now you see me: seeing the invisible #1 2023 photographic microscopy prints on acetate 30 x 30cm each Installation view, Australian Centre for Contemporary Art, Melbourne 2023 Commissioned by ACCA Courtesy the artist and Vivien Anderson Gallery, Melbourne. Photograph: Andrew Curtis 

Matthew Harris Consigned to oblivion 2023 (detail) ochre, charcoal, and acrylic binder on linen 198 x 167 cm Installation view, Australian Centre for Contemporary Art, Melbourne 2023 Commissioned by ACCA Courtesy the artist and FUTURES, Melbourne. Photograph: Andrew Curtis 

Matthew Harris Consigned to oblivion 2023 ochre, charcoal, and acrylic binder on linen 198 x 167 cm each Installation view, Australian Centre for Contemporary Art, Melbourne 2023 Commissioned by ACCA Courtesy the artist and FUTURES, Melbourne. Photograph: Andrew Curtis 

Jenna Lee (this mob) Black Wattle Volume II 2023 (detail) Digital commission Commissioned by ACCA and The Ian Potter Foundation Courtesy the artists

Moorina Bonini (this mob) Black Wattle Volume II 2023 (detail) Digital commission Commissioned by ACCA and The Ian Potter Foundation Courtesy the artists

We acknowledge the Palawa and Gadigal people, the Traditional Custodians of the land upon which we live and work. We honour their enduring culture and knowledges as vital to the self-determination, wellbeing and resilience of their communities.

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