Introduction
This unit further develops students understanding of recording technique and introduces specialist knowledge in mixing and mastering. Students will explore all stages of recording production from conception to delivery of a final product to market. Students will be introduced to applied practical techniques and processes in context of key artists, genres and technical developments. Students will be prepared for work as technical and creative music producers.
Summary 2024
Unit name | Recording, Mixing and Mastering |
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Unit code | FCJ221 |
Credit points | 12.5 |
Faculty/School | College of Arts, Law and Education School of Creative Arts and Media |
Discipline | Music |
Coordinator | Stewart Long |
Teaching staff | Mr Stewart Long |
Level | Intermediate |
Available as student elective? | No |
Breadth Unit? | No |
Availability
Note
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TNE Program units special approval requirements.
* The Final WW Date is the final date from which you can withdraw from the unit without academic penalty, however you will still incur a financial liability (see withdrawal dates explained for more information).
Learning Outcomes
- Adapt a wide range of recording , mixing and mastering techniques and concepts to realise new work.
- Communicate in a range of modes relative to context and audience using accepted professional music production language to analyse and adapt recording arts practices.
- Self- critique and exercise judgement and accountability as a mechanism to improve artistically and socially with respect to music production contexts and genres.
Fees
Requisites
Prerequisites
FCJ120
Teaching
Teaching Pattern | 1 x 90 minute lecture weekly 1 x 90 minute tutorial weekly |
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Assessment | Task 1: Audio Equipment and Aural Recognition (20%) Task 2: Recording (20%) Task 3: Mixing Assignment (20%) Task 4: Mastering Assignment (20%) Task 5: Research Project (20%) |
Timetable | View the lecture timetable | View the full unit timetable |
Textbooks
Required | None |
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